Tuesday, December 29, 2009

Trudy Cooper: Pretty Pictures Filthy Thoughts

It’s always a pleasure to break bread with funny women with potty mouths and dirty minds. Meet Trudy Cooper an Australian cartoonist, illustrator and writer who has been taking the comic book world by the balls since 1993 with her creation Platinum Grit. With a new comic book series Oglaf in circulation, Trudy promises to raise more eyebrows with her brilliant illustrations and filthy thoughts.

Talk about your latest comic book series Oglaf.
It’s porn! …well, sort of. I’m very fond of the idea of pornography – you know- sex is great, movies are great, therefore movies about sex must be AWESOME! So there you are, walking out of the video library with a copy of Edward Penishands saying “I don’t see how this won’t be the greatest movie ever!” An hour later, you’re going “I now see exactly how this isn’t the greatest movie ever. Because it’s shit.” So I thought “Hell! I’m going to make some smut!” I fell short of those lofty goals.Oglaf is more often dick jokes than actual porn. I really have to get more vagina jokes in there. Don’t want to be accused of bias.

At what age did you discover that you had the sense of humor of a dirty sailor?
Eight. Same as everyone else. Just that I never quite grew out of it.





We’re you the type of girl who was sneaking a peek at your daddy’s Playboys or did you discover sexuality at a later age?
I remember reading Archie comics as a little kid and wondering why, when Veronica bent over, her little skirts never rode up. That was about as dirty as literature got in my house. Bit catholic. My dad was a sailor, but not the dirty kind. More the happy-go-lucky chorus line from South Pacific sort. Far as I know, anyway. TV when I was a kid, now that was a different story. God bless the 70s, and more specifically, British comedian Kenny Everett.


You are the co-creator of the highly acclaimed self-published Australian comic book Platinum Grit. For those not familiar with your work, give us a little backstory about Platinum Grit.
It’s a black comedy about a broken boffin with an odd family secret that his family’s kept him in the dark about. With the aid of his best friend and heart’s desire, Nils, and Kate (who might fancy him if he wasn’t such a freak), he’s…not really succeeding in much other than getting in deeper and deeper. It began waaaaay back in 1993, and has gotten much better since then. Lots of sexiness and nob-jokes and regular jokes scattered throughout the epic tale.



There was a three-year gap between issues 11 and 12 of Platinum Grit. What made you decide to pick it back up and continue after a long hiatus?
I’m very excited to talk about that, but first, did it ever strike anyone else as weird that the Hulk always lost his shirt, but never his pants? Seriously, we never once saw green cock in those comics, did we? I think that’s a bit of a pity. I mean the guy is huge and lumpy and covered in veins, so presumably his dick is too. His flaccid dick, you know? So what must it be like when erect? I’m thinking it’s a perfectly smooth cylinder, the skin stretched so tight that it’s translucent. Shimmering. If you look at it for long enough, you can see the forgotten promises of youth. Not your youth, though. Somebody else’s. Some fukken idiot.

Oh, and I was ill and then got better.





Please name other illustrators that inspire you either past or present. Is it safe to guess that Robert Crumb was one?
No, I was never a Crumb reader and only read a bit of his stuff much later on. My inspirations lie pretty much exclusively in the French/Euro scene. French comics have a sensuality that simply isn’t there in western or even Japanese stuff. It’s hard to describe, but work by my absolute favourite artist, French legend Regis Loisel, just drips with it.

How about writers? Who floats your boat?
H.P Lovecraft! Alan Moore! Sylvia De Ma… fer.. gersen. Mmmn. Actually, Sylvia DeMafergerson isn’t a real person. I don’t actually read all that much. Those first two are awesome, though!


Comic timing is extremely important when forming a narrative in the comic book medium. Is this something that came natural to you as a writer or was it something that you had to develop and/or adapt to?
It’s not something I think about a lot, tell you the truth. The questions “does that seem funny?” and “how much space do I have left?” seem to come up a lot, though.

It seems the women in Oglaf tend to be the bullies and have the last laugh. Is this comic your cruel way to thrash and make fun of us men?
No way! It’s just that jerks are funny. Girl jerks are… well, they’re no funnier, I guess, but if you’re doing hetero sex comedy, the other option is woman-as-victim. Doing that and not having it bleak and horrible would need a delicate touch, and hey! Fuck that! That sounds waaaaay too hard. Girl jerks. Easier than working.


Do you pull your characters from people that you actually know or that you’ve had encounters with?
Are we still talking about sailors? ‘Cause I like their little hats.

Tell us what similarities you personally share with your female characters.
There seem to be quite a few men writing webcomics about hot girls, told from the hot girls’ point of view. I think it’s kind of like being in drag… you can slip on a girl suit and explore that side of your sexuality. Send a little Mars rover into your pants and see what’s going on in there. I think of myself as a drag queen with a dark secret- she’s really a woman.

Are there other projects in the works?
Sort of… I’ve taken up fighting crime by night.



Monday, December 28, 2009

Linda Evangelista and Maurizio Cattelan for W Magazine




Linda Evangelista proves once a supermodel always a supermodel. As reported on the W Magazine site.

"Italian artist Maurizio Cattelan is best known for his subversive, hyper-realistic sculptures—including depictions of Pope John Paul II being hit by a meteorite, a child-size Hitler kneeling in prayer and a suicidal squirrel. For W’s Art Issue, he conceived a politically and religiously charged portfolio featuring supermodel Linda Evangelista. “She’s a still actress,” says Cattelan of Evangelista. “At the end, she was so tuned-in that all she needed were a couple of words and she knew what we wanted.” A new piece by Cattelan is included in “Pop Life: Art in A Material World,” an exhibition at the Tate Modern in London that runs through January. In February a show focusing on his large-scale works will open at the Menil Collection in Houston. Cattelan cocurated the Berlin Biennial in 2006 and lives in New York and Milan."




Sunday, December 27, 2009

The Manifesto House


Thanks to Arch Daily and photography by Antonio Corcuera, we were able to discover the Infiniski Manifesto House. Let us say it for you, “Wicked!” The home is in Chile and was designed by James & Mau, the founders of Infiniski Designs. Infiniski focuses on building eco-friendly homes and buildings with the use of recycled, non polluting materials and by also using renewable energy technologies.















Saturday, December 26, 2009

Rolleiflex MiniDigi Camera

As exclusive design and technique highlight miniature camera specialist Minox presents its fully functional replica of the famous Rolleiflex in “Italian Red”. This extraordinary pocket digital camera is only available as a limited special edition of only 500 pieces and will exclusively be sold in Germany through the Lufthansa World Shop.

This new digital Mini Rolleiflex brings back memories of the well-known Classic Camera Collection. It has the same shape and design as the famous 6×6 twin lens reflex camera, and offers a resolution of up to 3.1 million (interpolated) pixels. Many details of the large model were taken over accurately and at actual scale.


Taking photos with this camera` is like the real thing in miniature but in digital. Just like the original with its 6×6cm square format this MiniDigi takes square format digital photos. Viewing is from above camera – as with the original – through the foldable viewfinder where the image is displayed on a 0.9 inch LCD monitor. To prepare the camera for the next shot, the normal metal transportation crank on the right side of the body is turned until a clicking sound confirms that the MiniDigi is ready for the next shot. At the front of the shutter release is below the twin lenses. Therefore, using the MiniDigi is like taking a trip through memory lane, but with the added advantage of to-days digital media.


The durable metal housing weighs only a 100 gram and is first-class finished in every detail. The camera body as well as the foldable viewfinder are covered with red leather. It comes complete with a neck strap, a 32 MB MMC memory card, battery and user’s manual. Available in the original black or in retro red.

For more info, click HERE

Friday, December 25, 2009